Fashion Is Forever: 007 Edition

What goes hand in hand with a handsome secret service agent who drives Aston Martins? You guessed it… Fashion. I think we can all agree that James Bond would not be the 007 that we know and love without his garments. Of course, he wouldn’t be 007 without his guns, gadgets and women too.
Screen Shot 2016-04-18 at 12.46.48 PM.pngThe James Bond series is rather meaningful to me. The movies were my father’s favorite when I was younger and he used to make me watch them hoping I would like them too. I have to admit, when I watched the movies with him I didn’t really know what was going. All I knew was that Bond was a “super cool guy” who went on “super cool adventures” with cars that went on water, cigarettes that became guns, and pens that became poisonous. What I never noticed was Bond’s fashionable attire. Today, though, especially after watching Spectre, the fashion in the Bond movies is something I cannot stop noticing. If any of you had the same realization as me, keep reading to discover what helps make Bond, James Bond.

Jany Temime was the costume designer for Spectre. If her name rings a bell that’s because she was also the costume designer for Skyfall, Harry Potter, and Gravity (just to name a few). So Temime has quite a bit of experience, which is why the costumes in Spectre were so brilliant.

The costumes in Spectre were mostly a collaboration between Temime and Tom Ford. Personally, I think that Tom Ford was a perfect match for a man like James Bond. Tom Ford’s garments always seem to be of an impeccable elegance, which fits 007’s character. Luckily for Temime, Ford was a very easy to collaborate with. Temime would simply design what she wanted, choose the fabric from Ford’s own collection, and then Ford would manufacture what Temime wanted. Ford truly respected Temime’s work and never attempted to impose his own thoughts or ideas.

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Since the James Bond movies are action movies, there are numerous stunt doubles for Daniel Craig (who played Bond in Spectre). Evidently, that made matters more difficult for Temime and Ford because they had to make suits in different sizes depending on which stunt double would be used in which scene. Moreover, the suits had to be made differently for the stunt doubles than for Craig because of all of the movements the stunt doubles had to do. So for instance, if a stunt double had to run, Temime had to make the hem of the trousers longer and put fabric between the legs so that he could run faster. On the other hand, when Craig would take over, the trousers needed to be of a perfect size and there couldn’t be fabric between the legs. I know what you’re wondering now… If so many stunt doubles were used and each suit had to be made differently depending on the actor or stunt double wearing the garment, how many suits were made for one, single action scene? Well, sometimes there were up to 30 suits for one scene. For example, for the white tuxedo, there were 20 white tuxedos in five different sizes for Craig and all of the stunt men. And that’s just for one fight scene! Here’s the best part, though… The jacket (just the tuxedo jacket) cost $5,200. I mean, it is a beautiful, luxurious, silk-blend jacket with padded shoulders and faille peak lapels, lined in sleek satin, but still. That is pretty darn pricey.

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Now here’s a little bit more about the actual outfits in the movie. All of Bond’s outfits are always elegant, classic and traditional. First let’s talk about the tuxedoes and suits (because Bond wears a lot of them). There is the classic white Windsor silk-blend tuxedo that I mentioned earlier. Bond wore this when he was in Morocco. When Bond was in London, he wore a gray pin-stripe suit, white shirt a gray necktie and a navy coat. In Mexico, Bond wore the O’Connor suit and in Rome he wore the Windsor three-piece suit. Of course, all of these clothing items are by Tom Ford. Those four garments put together cost about $18,000. Crazy, right?

There is of course all of the other garments that aren’t suits or tuxedos. While in the Alps, Bond wore a Tom Ford Bomber jacket, Danner Boots, Vuarnet aviator sunglasses, with trousers based on vintage military models. The trousers were specially made for the film. Bond also wears a double-breasted jacket in the film along with leather gloves. I find this jacket to be absolutely gorgeous. It is masculine, elegant, yet discrete at the same time. Another important clothing item is the blue cashmere sweater by N. Peal. Although it is a simple sweater, Bond wore this sweater in several scenes in Spectre as well as in Skyfall. So it’s a pretty meaningful garment.

So you’re not a secret agent but you want to look like one. Well, now you can. You can get the Tom Ford knitted sleeve bomber jacket for $2,302.60, the Tom Ford Henry Vintage Wayfarer Sunglasses for $405, the O’Connor Windowpane suit for $4,590 and the Danner boots for $350. Just click on the first row of images below. Of course, these items are rather pricey because they are the exact same outfits that Bond wore. If you want outfits that aren’t an exact match but that are pretty similar (which means they will be more affordable), click on the second row of images below. There is a Hawke & Co jacket for $39.60 that looks like the bomber jacket, Original Penguin sunglasses that look like the vintage Wayfarer sunglasses for $67.21, a Tallia Orange suit for $178.50 similar to the O’Connor suit, Hi-Tech boots that look like the Danner boots for $46.05 and a $29.99 coat that is similar to the double breasted coat.

If you happen to be in Paris right now, there’s an exhibition that just opened a few days ago called “Inside The World of James Bond.” The exhibition is at Grand Halle de la Vilette until September 2016. On display there is more than 500 costumes, cars, sketches and gadgets from the Bond archive including some items from Spectre. For more information, click here. It’s a pretty cool exhibition, especially since most of the props and costumes have only been shown in Mexico.

The Fashion Element

00869074ea55f24838dce6e33bdd8cd8.jpgHave any of you heard of The Fifth Element? If not… I suggest you look into it. Because it is honestly the most outlandish sci-fi movie I ever saw. That doesn’t mean that the movie is good or bad. It simply means that it’s a really, really goofy movie with cliches and interesting visuals. Personally, I think that goofy movies are sometimes fun to watch. Especially when it is visually intriguing. And the creators of The Fifth Element really went far to ensure that there were incredible special effects, scenery, and costumes. And what better designer than Jean Paul Gaultier to create ostentatious garments that could help with the visuals?

Gaultier put a lot of effort and time into the garments for the film. He did over one thousand costumes! Keep in mind that one thousand costumes is roughly ten collections… And think about the process it takes to simply create one costume. For one costume, Gaultier had to do numerous sketches until he perfected the garment’s look, then decide what fabric the garment should be in, and finally actually create the costume. I cannot even begin to imagine doing that process for over one thousand garments. Of course, a lot of Jean Paul Gaultier’s work in the film was inspired by his actual haute couture collections. So although Gaultier created over a thousand garments, he did not necessarily come up with all of them on the spot. For instance, many garments in The Fifth Element are a direct reference to Gaultier’s 1985 collection “And God Created Man.” Additionally, the most iconic costume from the film, the white bandage-style bodysuit, was inspired from his underwear collection. This iconic garment was worn by the character Leeloo. And guess what… After the film, Gaultier released another version of the garment, and Rihanna wore it at the American Music Awards in 2009! I have to say, though, that the most “Jean Paul Gaultier” look in the film was probably the outfits that the secondary characters wore. At one point in the movie, staff in a spaceship were dressed as futuristic-looking sailors… These outfits directly referenced Gaultier’s trademark.

Gaultier’s role was not simply to create costumes that would go along with the storyline. The garments that he created were also meant to help develop the characters, demonstrate their absurd characteristics, and portray the futuristic time period that the film was set in. So the costumes that Gaultier created set the mood of the film by focusing on the clothes, the characters and the setting as a whole. What is important to realize about the costumes in The Fifth Element is that Gaultier’s ostentatious garments were not simply remembered as weird, showy clothes. On the contrary, they inspired and impacted future movies. For instance, the warrior-chic that we see in The Hunger Games became possible thanks to Gaultier’s costumes in The Fifth Element. So without Gaultier’s designs, perhaps Cinna would have never been able to create the Mockingjay Uniform or the Girl on Fire outfit.

So that’s a little bit about The Fifth Element and Jean Paul Gaultier’s role in creating the garments. I know what you’re thinking “this is great info, but if the outfits were so ostentatious does that mean that I can’t dress like any of the characters today?” Well, the answer is no! You actually can dress like some of the characters, especially Leeloo. Alright, so maybe you cannot wear the bandage-suit. But you can wear another one of her famous garments: the white crop top with bright orange suspenders, gold leggings and combat boots. This look sounds pretty normal (minus the orange suspenders), doesn’t it? Well, that’s because crop tops, combat boots, and colorful leggings are back in today. And where did this look originate from? You guessed it… The Fifth Element. So yes, you can dress like the characters from The Fifth Element and maybe you already were without even realizing it.

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If you want to perfectly recreate Leeloo’s look, all you’ll need is the items below: a $14 crop top from Topshop, $10 gold leggings from Amazon, $95 suspenders from Etsy, $70 combat boots from Hot Topic, and a trip to the hairdresser to dye your hair orange. All of these items are pretty affordable, so that’s definitely a plus. If you don’t want to go all out, don’t worry. Dying your hair orange is definitely not necessary.

 

References: stills from the film “The Fifth Element” and google images. 

Fashion Coming Straight Outta Compton

MV5BNDk5ODM5ODY3NF5BMl5BanBnXkFtZTgwNjQxMTM1NjE@._V1__SX1391_SY684_-1439503188.jpgI have watched Straight Outta Compton four times, and it was released less than a year ago. Okay… I know what you’re thinking: “does this girl not have anything better to do than watch movies all the time?!” Well, what can I say. I love movies. But I promise, I don’t always watch movies. Just 4 times a week! Is that bad?

Anyway, back to the most interesting film about the rise and fall of N.W.A, the hip hop group that dominated the charts in California in the 90s.

When you think of movies that have influenced the fashion world your mind probably doesn’t go to Straight Outta Compton. I mean, at first glance it seems like all the characters are dressed in the same 80s and 90s hip hop style that we now know to be corny. But that is not at all the case. Let’s analyze Eazy-E’s outfits from back in the day. Eazy most often wore very baggy jeans (baggier than the other members of N.W.A) and the Charlie Brown polos. According to Kelli Jones, the costume designer for the film, Eazy-E would dress more costume-like than the other members of the group. He had a very different flair than the others, and because this film is a biographical drama, Jones had to make sure that she nailed Eazy’s look (especially since he is deceased and could not give his own input).

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Contrarily to Eazy, Dre was more into sweatshirts. This is very evident when you watch the movie. To be honest, I was really into his crewneck sweaters. His sweaters were the perfect “I’m wearing my boyfriends sweater but I know it looks cute on me” type. Luckily for Jones, Dre was able to give his own input, old photographs, and research to help her create costumes for his character on screen.

So you probably think creating and finding the costumes for Straight Outta Compton was easy. All you had to do was look at a few pictures of N.W.A from the 80s and 90s, and then find clothing that matched their style (which sounds easy enough, since hip hop clothes aren’t that hard to find in California). Well, think again, my friends. Because Jones had to go through a lot to ensure that the characters in the film looked like the real members from the group. Because this movie was somewhat of a biography of Eazy-E, Ice Cube, and Dre, and because Universal was determined to make the fashion in the movie as perfect as it could be, Jones actually had to do a Powerpoint for Universal Studio. A Powerpoint that showed the group members actual photos from the 90s next to her fitting photos. And these images had to match up.

So Jones couldn’t simply walk into any store that sells hip hop clothes. She had to get things embroidered, create pieces, and find vintage shops that had the exact polos and the exact button downs that the group members wore in the 90s! Jones even had to get the shoelace right. Lucky for Jones, Nike and Adidas really helped her out in terms of shoes and gear. In fact, Nike gave her roughly $20,000 worth of items from the archives.

Alright, so that’s some of the fashion from Straight Outta Compton. In my opinion, the purpose of fashion in this film was to help demonstrate how distinct these musicians were from the general norm. Back then, rap and hip hop were not as popular as they are today. So N.W.A had to differentiate themselves from the norm and show what they were about. And fashion was a way for them to do that. Fashion was a way for them to show how badass they were.

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As hip hop and rap became more popular, so did their look. The hip-hop style became rather mainstream in the 90s, and we can still even see some people wearing that look today. So Eazy, Ice Cube and Dre became trendsetters back then, and their trend never fully faded. Of course, you don’t see this look everywhere. But you do see it. Lately I’ve even been seeing girls wear some hip-hop style snapbacks. Just look at Khloe Kardashian wearing a Compton Snapback only 1 week after Straight Outta Compton was released. Coincidence? I think not. Have you guys noticed anything like that?

Below you can find some of the items that were worn by the characters in the film and by the actual members of N.W.A (including the snapback worn by Khloe). If you want to see more clothing items from the movie, click here!

References: Universal Pictures Images

Blown Away By Fashion

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Lineup To See Gone With The Wind

Gone With The Wind, a classic film that is still the highest grossing film in the world. Can you believe it? Its worldwide gross is more than Avatar, Star Wars and Titanic!! That is absolutely insane to me, considering the fact that nowadays not only is it easier to watch movies, but movies are also of better quality (in terms of sound, actual image quality and special effects).

There is a very simple reason why Gone With The Wind is such a popular movie. The Producer, David Selznick, wanted it to be. He wanted to create the biggest, most expensive, most glamorous Hollywood production that history had ever seen. Of course, most Producers want to create an “extraordinary” film, and it surely is not an easy task. Luckily for Selznick, Gone With The Wind was already a best-selling novel and Selznick owned the motion picture rights for it. All he had to do was adapt it into a screenplay, find actors, and produce the film. Creating the film was no an easy process for Selznick: he used three different directors and fifteen screenwriters. But it was all worth it when Gone With The Wind won 10 Academy Awards.

Alright, so that’s a little bit about Gone With The Wind and Selznick’s role in creating the most popular film in the world. But what about the other elements that helped Gone With The Wind earn its title? Other elements such as the fashion in the movie…

Walter Plunkett was the costume designer for the movie, and he was pretty darn amazing at his job. He designed over 5,500 different wardrobe items and 500 different costumes. Isn’t that incredible?! But creating all of those outfits was not his primary challenge… His main challenge came from the fact that he had to design for different fashion eras because the film spans an 11-year period. Plunkett also used fashion to demonstrate the character’s evolution in the film. During the first half of the movie, Plunkett dresses Scarlett O’Hara, the main character, in light tulle and cotton. We see her wear hoop skirts and big hats. In the second half, he dresses her in silk, velvet and various jewel colors in order to demonstrate her “new level of affluence” after her marriages. In this half, she began representing a Victorian style with sleeker silhouettes and European cuts.

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As you probably have already realized, when Hollywood movies began being popular during the 1920s and 1930s, fashion trends were no longer only dictated by fashion houses in Paris. As I’ve talked about in my previous blog posts, many clothing styles in movies launched fashion trends in the world. What is interesting about Gone With The Wind and its influence on fashion isn’t only the fashion trends that it created, but rather the pattern-trend that it popularized. Apparently, a dress that Scarlett O’Hara wears in Gone With The Wind became the era’s most favorite pattern.

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I think we can all agree that Scarlett O’Hara had an incredible sense of style in the film. Here’s a fun fact: Anna Winter crowned Scarlett O’Hara as “the most stylish literary figure!” Plunkett did an incredible job by allowing the outfits to reinforce the character’s rebellious nature. Creating these outfits required a lot of hard work, research, and careful design processes from Plunkett. He had to do everything perfectly in order to please the Producer. One of the most famous costumes he ever made was the green velvet dress (aka the curtain dress).

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Unfortunately, there aren’t many outfits from Gone With The Wind that we can incorporate today in our daily lives… But if you’re interested in seeing more of Scarlett’s style in the film, I’d recommend this YouTube video. After watching the video, I’d love to know if any of her outfits stood out to you from that compilation of scenes!

 

References: Stills From Gone With The Wind & Walter Plunkett Costume Sketches

Timeless Fashion For A Timeless Woman

The Age of Adaline. My all time favorite fantasy/drama film. The screenplay was incredibly original and powerful. The acting was flawless. The director of photography’s vision was perfectly captured by the camera. The costumes faultlessly depicted the decades the movie was set in. Blake Lively’s beauty, subtle acting, and poise brought out a unique, moving character. It was simply a perfectly executed movie: from the screenplay all the way down to the editing.

As many of you may know, the Age of Adaline is a movie about a woman (played by Blake Lively) who miraculously stops aging at the age of twenty nine. Although this might sound appealing at first, we start to see the difficulty behind being twenty nine for seven decades. Friendships and relationships are impossible, death of your loved ones surrounds you, and loneliness encompasses you. I don’t want to spoil anymore of the movie, but let’s just say that The Age of Adaline does not make immortality as appealing as Twilight does. Don’t worry, though. Although the movie is filled with heartache and sadness, the storyline also includes profound, heartfelt moments. Moments that make you feel things.

allThe Age of Adaline is set throughout eight decades. Of course, most of it is filmed in the present. There are only little flashbacks to Adaline’s life in the past. However, because there are only quick flashbacks, the film’s costume designers had to ensure that the outfits that Adaline wears perfectly depict the decade that the character is in. Everything, from shoes to hair styles had to show the passage of time. Evidently, a lot of careful research and planning had to be done to accomplish this. However, unlike most movies, it wasn’t only Angus Strathie, the costume designer for The Age of Adaline, who was in charge of Lively’s outfits. It was also Blake Lively herself, Gucci and Harrison Ford. On the left you will see a collection of outfits that Adaline wears throughout the decade. As you can see, there is an incredible amount of detail to ensure that viewers know what time period they are in.

Not only did Gucci provide recent designs that are reminiscent of the 40s, 50s and 60s, but they also did a custom gown for Lively’s character. At the time, Lively was the current face of the Gucci fashion house. That is why Gucci was a great supporter for the film. Of course, Lively had a say on what costumes she thought would fit the character. This is because she has a high fashion profile which proves that her sense of fashion is on point.

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The above images are the famous red gown that was custom made for Lively. In the movie, we see this red gown twice: once on New Years in 1945 and once on New Years in 2014. What’s interesting is how timeless the dress is, just like Adaline. The dress is that it has a large cutout section at the back. I know what you’re thinking, “didn’t the cutout make the dress too modern for the 40s?” Nope, it didn’t. In fact, there were many back cutouts in dresses in the 40s and 30s. And it is that cutout that makes the dress so timeless. The dress was designed thanks to a collaboration by Strathie, Lively and Gucci. Strathie and Lively would create certain silhouettes that they thought would work for Adaline’s character, then, Lively would bring those drawings to Gucci. After that, Gucci would come back with their own ideas. All of that eventually led to the red dress. Gucci was also behind the famous green coat that is over the dress. The belted wrap coat was a perfect match for a chic 1930s woman. This dress was actually a piece from Gucci’s Pre-Fall 2013 collection.

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Of course, Gucci was not behind all 50 looks for Lively’s character. Some of the items were sourced from vintage collections, hire companies, and even secondhand shops. According to Strathie, almost all of the accessories were vintage. There were many 40s and 50s handbags and shoes. And if they were not real vintage, then they were contemporary clothes that had a vintage feel.

The Age of Adaline did not create any new trends. However, it did make a lot of people wear outfits inspired by Adaline. The “inspired” look consists of classic and vintage styles. There is the classic turtleneck (which Adaline is seen wearing at the beginning of the film), floral, trench coats, pearl bracelets, blouses, printed scarves, and bow hats. You can find some of these items below. Some of them are affordable, others are not. It’s funny that these items are considered “classic” and “vintage” yet they are still so timeless. Today, if you were to wear any of these items, you would completely fit in “today’s fashion.” The film truly did create timeless fashion for a timeless woman. Do you guys ever dress this way?

 

References: stills from the movie The Age of Adaline

 

 

From Bland to Vibrant: Brooklyn

110315-brooklyn-lead.jpgIn the past few weeks I’ve discussed fashion trends that have developed thanks to old films, such as Annie Hall and Sabrina. However, what I haven’t analyzed is how current movies that are set in the 1950s use the 1950s styles and trends. This is where Brooklyn comes in.

If you haven’t seen Brooklyn yet, I highly recommend it (like everything else) because it is a beautiful love story. Not only that, but Saoirse Ronan acts stupendously. The character, Eilis Lacey’s, emotional journey is perfectly captured by Ronan’s performance. And what helps complement Ronan’s acting is her outfits. This is thanks to Odile Dicks-Mireaux, the Emmy-winning costume designer.

“Eilis’s looks helped tell the story of a young lady who grows in confidence and embraces a world she had newly joined” – Dicks-Mireaux in InStyle.

That is exactly what the costumes do. In the film, Eilis travels from Ireland to New York. Evidently, fashion in those two countries is very different. Additionally, in the 1950s, Ireland was touched by the WWII while New York wasn’t. Therefore, Dicks-Mireaux attempted to show a difference in Eilis’ costumes from country to country: Eilis’ bland wardroom from Ireland transforms into a vibrant new world of clothes in New York. What’s interesting about Dicks-Mireaux’s costume choices for Eilis is that she attempted to do more with less. This is because Eilis was a poor emigrant; she could not afford more than one coat, one bathing suit, or one pair of shoes. But somehow, Dicks-Mireaux managed to create beautiful outfits with a limited choice of costumes. And these outfits wonderfully accompany Eilis’ transition from a shy, poor Irish girl to a confident, still poor, young American. Her Irish woolens disappear and a wardrobe of American sweaters, dresses, skirts and sunglasses take over.

What’s funny is that Dicks-Mireaux did not want to make this movie a movie about fashion. She simply wanted EIlis’ fashion to help move along the story. However, the outfits that Eilis wears are rather relevant and intriguing to us millennials because lately we seem to be vintage-obsessed. And that’s the kind of clothing that dominates the screen: pure vintage clothing from real vintage shops in London and Montreal. In my opinion, the looks that stand out the most in the movie are Eilis’ increasingly colorful dresses, her Grace Kelly inspired look, her swimsuit, her colorful cardigans, and her flats. You can see some of these items in the pictures below.

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If you are interested in some of the costumes from Brooklyn, this website has a plethora of outfits that are a close match to what Eilis wears. Luckily, some of them are rather affordable. Below you will see a few that are available.

 

So Brooklyn didn’t create new trends and although there are some vintage items that might look cute today, a lot of the costumes would be un-wearable in 2016. However, the film truly captured the fashion in the 50s. Not only that, but it captured the fashion in two very different countries with two very different current events.

References: stills from the film Brooklyn

Feminine Menswear: An Annie Hall Trend

Fabcon-Diane-Keaton.jpgI have to be honest with you, I love watching old movies. For some reason, I am attracted to the grainy look, unrealistic sound system and mediocre acting. I feel like it gives movies a personality. Today, movies are just too perfect. They are so perfect that they don’t feel unique. They simply feel systematic. Don’t get me wrong, this doesn’t mean that I prefer older movies to recent movies. I love both. But for this blog post, I want to take it back and analyze fashion in older movies. And when I say older, I mean 1970s. Lucky for me, older movies set just as much of a fashion trend as recent movies. This is especially true with Annie Hall. A 1970 classic Woody Allen film.

Annie Hall is a drama/romance film. The movie revolves around Alvy Singer (Woody Allen) and Annie Hall’s (Diane Keaton) relationship. I won’t tell you more about the film because the storyline isn’t relevant right now. What is important is the fashion trend that Annie Hall created across America. However, if you haven’t watched the movie, I highly recommend it. Not just for the fashion, but for the actual screenplay itself.

Have you ever heard of the “Annie Hall look?” I hadn’t since I was born in the 1990s and this look was already a norm by then. However, the “Annie Hall look” was a tremendous fashion craze that followed the release of the movie. During this fashion craze, women started to mimic Diane Keaton’s use of “menswear.” But what exactly did the Annie Hall look consist of? Bowler hats, blazers, baggy pants, neckties, waistcoats and high-waisted trousers.

So this is the “Annie Hall look,” an androgynous style. But how was this look created? First of all, you should know that there wasn’t an “incredible costume designer” who allowed for this trend to begin. The outfits were mostly Keaton’s real clothes because she ordinarily dressed this way. In fact, Annie Hall’s official costume designer, Ruth Morley, almost ruined the creation of the “Annie Hall look!” She did not like Keaton’s unorthodox attire and attempted to stop Keaton from dressing her character that way! Thankfully, Keaton did not give in to the costume designer, and we were all blessed with the “Annie Hall look.”

The craziest thing about all of this is that the “Annie Hall look” is still an outfit that is worn today, 40 years later! Alright, so I don’t wear  neckties or bowlers, but I do wear blazers and high-waisted pants. How about you guys? Do any of you wear similar garments to the “Annie Hall look?” Do any of you have your own interpretation of the “Annie Hall look?” Here are my tips on how to look like Annie Hall: wear a white button’s down shirt, loose khakis, a tuxedo vest, and of course, a tie. You can find a few of these items below:

References: images were taken from Google’s images of “Annie Hall.”

As If You Need A Clue

Let me guess, you thought that Cher, Dionne, and Tai’s outfits were eye-popping when you watched Clueless. Don’t worry, I didn’t read your mind. That’s just what everybody thought… Because they were.

Every character in the movie has their own look, and this is thanks to Mona May, the costume designer behind character’s outfit. She even decided what the background characters who nobody pays attention to should wear! I can’t possibly imagine deciding what extras should wear and what main actors should wear. That sounds like so much pressure. I mean, I can barely decide what I should wear on a day-to-day basis! May truly did her job flawlessly, and if it wasn’t for her, Clueless would not be as fashion-centered as it is. If it wasn’t for her, characters would probably not be able to wear as many designer clothes as they did.

Alright, so there were designer clothes in Clueless. Big deal. What truly made the fashion in the movie spectacular was how May mixed different clothing genres. For instance, Dionne’s character was sassy and experienced (contrary to Cher, who was rather innocent and classic). To reflect Dionne’s character, May mixed designer clothes from the runway with vintage fashion. To give you an example, Dionne would wear a Dolce & Gabbana top with a very short vinyl skirt while holding a 1950s clutch. However, although May attempted to differentiate Dionne and Cher’s clothing because o050814-clueless-5-567_0f their different personalities, she still made both characters match one another. For instance, in the opening scene, both girls wear a plaid ensemble. However, to emphasize Dionne’s “sassy” character, Dionne wears a unique hat while Cher remains minimalistic in her look. The reason why Dionne almost always wears a variation of what Cher is wearing is to show Dionne and Cher’s friendship as well as their shared values (fashion).

Before going into Cher’s outfits, I have a question for you: what do you think of 90s fashion? Do you remember it as scrunchies, velvet fabric, mom jeans, and just a bunch of denim and plaid? Because I do. Gosh, the idea of 90s fashion makes me shudder. Everything was so unflattering!!! I am so glad I was not a teenager in the 90s. If I was, I would probably burn any evidence of living during that decade simply because of the hideous outfits.

Back to Clueless. Although most of the outfits in the 90s were terrible, May managed to make Dionne and Cher’s look fashionable (and still fashionable today)! What is interesting about many of the characters looks is that they are still wearable today. May was able to pick up on the trends in teenage-wear in the 1990s and make them “trendy” enough for them to fit in both the 90s world and in today’s world (unlike other 90s outfits which would never work today). Check skirts, patent leather loafers, fitted blazers and knitted berets have all been trending since the last year. Even Taylor Swift wears Clueless-like outfits! taylor-swift-displays-long-legs-in-mini-skirt-cath-kidston-in-london-december-2014_3-1

Personally, I  would not wear Taylor Swift’s outfit pictured above or Cher’s yellow plaid ensemble with knee high white stockings and a furry backpack like she did in the opening scene of the movie, but I have to say, Taylor and Cher really work their outfit. And in my opinion, the reason why Cher’s outfit (and all of her other outfits) looked good was because they were always simple even though they didn’t appear to be so. For instance, if you truly analyze her “yellow plaid ensemble,” the only thing that truly makes the outfit “pop” is the color. Other than that, the outfit is rather simple. Of course, just because she was simple doesn’t mean she wasn’t preppy. In fact, out of all the characters in the movie Cher was the preppiest, often wearing a white collared shirt, a mini backpack, with a pair of Mary Janes. Here are some of Cher’s best looks from Clueless.

Cher wore so many outfits that I cannot possibly analyze them all. However, as promised on my blog post last week, I am going to help you look like Cher. First of all, you’ll need a mini leather backpack, a vintage beret, a cotton candy blouse, ombre tights, and vintage white Mary Jane shoes. If you want to resemble her plaid ensemble, you’ll need a plaid skirt and a plaid jacket. If you want to look very minimalistic, you’ll need a white slip dress. You can find all of these items below. If you wear these clothes, you will definitely look like Cher.

 

References: Images were taken from stills of the movie Clueless.

Ten Movies, Eleven Minutes, A Dozen Trends

Hey there, me again! I’m going to try to spice up this blog post a little bit by having you guys watch a video that correlates with Noir & Blanc. If you’re not the YouTube-type, come back next week as I look into fashion in Clueless and give you tips on how to look like Cher!

Like we’ve seen so far, every movie is somehow related to fashion, because every movie chooses its garments purposefully. Nothing is a coincidence or a mistake in Hollywood. Not even the color of a pair of sunglasses.

I believe that this video accurately demonstrates important fashions in movies and television shows (you may have heard of some, and may not have heard of others). Regardless, I think that it is a great video that briefly explains the fashions within the realm of television and cinema. To watch the video, click here!

To me, the most interesting thing about the video is how it demonstrates the change of fashion over the years. Not only that, but how fashion comes back. For instance, in Clueless, Paul Rudd wears a flannel. Lately, flannels have come back and are huge. What’s interesting, though, is that they are especially huge for young women, not men. I can truthfully say that I have at least 12 flannels in my closet. I just love them. They’re comfortable, “cool” looking, and bring some color to my outfits (it’s my only source of color and my mother hates it).

How do you guys feel about the video? Do you agree with the order in which they discuss the most iconic fashion moments? I’d love to hear your thoughts and talk more about the fashions that the YouTube clip talks about. Please comment below or simply message me privately on the “contact us” page!

High End Fashion in “The Intern”

What better movie to analyze than a movie that directly involves fashion it its screenplay. Not to mention Anne Hathaway. And no, I’m not talking about The Devil Wears Prada. I am talking about The Intern. 

The Intern is rather recent, so if you haven’t seen it yet let me give you a very, very brief summary. Jules Ostin (Anne Hathaway) runs an online fashion site. Ben Whittaker (Robert De Niro) who is 70 years old, becomes a senior intern at Ostin’s company. Of course, there is much more to the movie. You’ll just have to watch it.

I really liked The Intern because of the characters— especially Hathaway’s character. Jules Ostin feels real and relatable. Throughout the entire movie she makes choices that are believable yet unexpected. I find that those qualities are what make certain movies “great” instead of “good”. Of course, the storyline was simple and straightforward. But for an uncomplicated movie like The Intern, the creators did a good job. And the fashion in the movie definitely helped.

Throughout the entire movie Hathaway looks good. Her style is always perfectly polished, classic, chic, and modern. Jacqueline Demeterio, the costume designer, was very meticulous when dressing Hathaway. Her goal was to have Hathaway’s style be “fashion-executive-meets-practical-working-mom”. Let me tell you, Hathaway definitely has elements of practical, high end fashion. If I could afford everything that she wears in the movie, I would buy it in a heartbeat. Not just because it “looks” nice, but because it seems like it truly feels comfortable. And I love dressing up in comfy clothes.

Hathaway is always ahead of the trend in the movie. She wears very different outfits that all still seem to correlate with one another.

As you can see with these snapshots from the movie, every outfit is rather distinct from the other. However, they are in the same “genre”: fashionable, chic, and classic.

Outfit 1: Cedric Charlier Tuxedo Jacket, Azzedine Alaia Knit Top, Celine Slim Trousers, Christian Louboutin Pumps, Balenciaga Belt, and Jennifer Fisher Bracelets.

Outfit 2: Band of Outsiders Windowpane Check Blazer, Salvatore Piccolo Denim Shirt, Celine Twill Trousers, Celine Camel Handbag, Celine Peep-Toe Wedges, Ray Ban Justin Sunglasses, and Jennifer Meyer Rings.

Outfit 3: Martin Grant Contrast-Trim Trench, Azzedine Alaia Knit Top, Barneys New York Pleated Leather Skirt, Valextra Manzoni Bag, Dior Suede Pumps, Ray Ban Justin Sunglasses, and Jennifer Meyer Rings.

Outfit 4: Valentino Striped Sweater, Celine Navy Trousers, Balenciaga Belt, Celine Knot Bracelet, and Jennifer Meyer Rings.

If you are interested in the outfits that Anne Hathaway wore in The Intern, you can purchase a few of them on Barneys New York online website. Although some of the items are on sale, they are all still pricey. Here is the link to a few of the items.